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    Home»Arts»Music»Points of Reference: Year-End Edition
    Music

    Points of Reference: Year-End Edition

    Joshua BreedenBy Joshua BreedenDecember 23, 2013Updated:January 11, 2014No Comments3 Mins Read0 Views
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    Year In Review
    Points of Reference
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    POINTS OF REFERENCE is a music news blog for people with actual lives and/or short attention spans: a weekly selection of topical, pop music talking points fit for bars and break rooms. It’s divided into three sections: NEWS (duh), ALBUM RELEASES (once more with feeling), and STUFF AND THINGS (random, music-related crap from the internet). So, I’m all finished up here. Scroll down, won’t you?

    SELECT NEWS, 2013:

    • Lou Reed passed away at age 71.
    • Miley Cyrus twerked at the MTV Video Music Awards.
    • Robin Thicke revealed that he’s one repulsive gentleman.
    • Kim Kardashian and Kanye West successfully produced an offspring.
    • Beyonce released an album at 11 p.m. on a Thurs. The Internet collapsed.
    • Justin Bieber embraced his various psychological conditions.
    • Lorde.
    • Justin Timberlake infiltrated nearly every aspect of our daily lives.

    SELECT ALBUMS, 2013:

    Silence Yourself
    Silence Yourself

    Jason Isbell, “Southeastern” (Relativity) 

    “Southeastern” (Relativity), Jason Isbell’s fourth solo effort, is a concise record. The arrangements are sparse, melancholic. Isbell unfurls crystalline characters –– the cancer-stricken barfly; the repentant outlaw; the road-worn storyteller –– and sings with renewed vigor, a symptom of his recently-achieved sobriety.

    Points of Reference
    Vampire Weekend

    Vampire Weekend, “Modern Vampires of the City” (XL) 

    Ezra Koeing and his cultured confidants lessen the lyrical excess and streamline the Afro-punk  melodies with “Modern Vampires of the City” (XL). Bonus points for the videos that accompany “Step” and “Diane Young.”

    Savages, “Silence Yourself” (Matador)

    Londoners Jehnny Beth, Ayse Hassan, Fay Milton, and Gemma Thompson resurrect guitar-based post-punk on “Silence Yourself” (Matador), an 11-track set characterized by brooding tantrums (“She Will”) and feedback-fraught cacophonies (“Husbands”). Shout out to Corin Tucker and Kevin Shields whose collective creations brought this awesomeness upon us.

    Silence Yourself
    Silence Yourself

    Superchunk, “I Hate Music” (Merge)

    While much of “I Hate Music” (Merge) is classic Superchunk (hooky, brisk, melodic), darkness seems to tinge a few tracks, most notably “Me & You & Jackie Mittoo” and “Your Theme.”  Even after almost 25 years in the business, Mac McCaughan and crew are still transforming.

    Neko Case, “The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You” (Anti-)

    Like a smooth, single-malt scotch, Neko Case intensifies with time. And “The Worse Things Get…” (Anti-), Case’s sixth studio recording, contains some her most potent material. Case sketches vivid vignettes of road life (“I’m From Nowhere”) and long distance love (“Calling Cards”). “I am the man in the f****** moon / ’cause you didn’t know what a man was / until I showed you,” she sings on “Man,” the album’s third track.

    The National, “Trouble Will Find Me” (4AD)

    With their sixth release, The National find themselves on the cusp of a popular breakthrough. “Trouble Will Find Me” (4AD), which is nominated for Best Alternative Music Album at this year’s Grammy Awards, oscillates; waves of slow-burning sound mingle with Matt Berninger’s baritone self-reflections.

    STUFF & THINGS, 2013:

    • New Yorker writer John Seabrook compiled a list of his personal favorite top-forty songs.
    • SPIN made a cool graph!
    • Trucks, dirt roads, alcoholism, and “painted-on jeans.” Do your thing, Nashville.
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    Joshua Breeden

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